“The Black Phone 2”: A Haunting Return to Supernatural Terror

Scott Derrickson, a prominent figure in the horror genre, has once again teamed up with screenwriter C. Robert Cargill to deliver a chilling sequel, “The Black Phone 2.” Known for his ability to evoke fear through atmospheric storytelling, Derrickson has made a name for himself with films like “Sinister” and the original “The Black Phone.” This latest installment continues to explore the unnerving void between reality and the supernatural, employing a unique visual style that harkens back to the aesthetics of Super 8 film.

A Distinctive Visual Style

In “The Black Phone 2,” Derrickson employs grainy Super 8 and modified Super 16 sequences to create a haunting atmosphere. This technique is particularly effective in scenes that depict fragmented imagery, such as red feathers scattered around a child’s abandoned parka and thick blood oozing from a tree stump in a desolate winter landscape. These visuals serve as echoes of the past and prophetic dreams experienced by Gwen, played by Madeleine McGraw, the younger sister of Finney, the protagonist from the original film.

The film’s reliance on these stylistic choices not only enhances its horror elements but also establishes a sense of nostalgia. The grainy visuals evoke a bygone era, allowing audiences to immerse themselves in a world where the supernatural feels tangible and immediate.

Revisiting Familiar Foes

In the original “The Black Phone,” Finney, portrayed by Mason Thames, triumphed over the malevolent Grabber, played by Ethan Hawke. However, in a horror narrative, victory is often fleeting. The Grabber returns, threatening not only Finney but also Gwen, as he calls from beyond the grave. Hawke’s return to the role adds depth to the character, as he navigates a script filled with heavy dialogue that only a seasoned actor could deliver convincingly.

The film’s setting in 1981 adds an anachronistic charm, as the number of payphones has drastically declined in the age of mobile technology. This nostalgic backdrop is further emphasized by references to the era, including quips about being “deader than disco.” Such touches not only ground the film in a specific time but also enhance its thematic resonance.

An Echo of Classic Horror

“The Black Phone 2” draws clear inspiration from classic horror films, particularly the “A Nightmare on Elm Street” series. Gwen’s character bears similarities to Patricia Arquette’s role in “A Nightmare on Elm Street 3: Dream Warriors,” as she takes on a leadership position among a group of teenagers facing supernatural threats. The film’s setting-a snowed-in Christian summer camp-adds an additional layer of tension, reminiscent of the isolated environments often found in horror classics like “The Shining.”

Supporting characters, such as Ernesto (Miguel Mora) and camp supervisor Armando (Demián Bichir), contribute to the film’s lore, linking it to past events that haunt the present. While attempts to infuse Latinx culture into the dialogue may fall flat, Bichir’s performance stands out, providing essential exposition that enriches the narrative.

Thematic Depth and Flaws

Despite its strengths, “The Black Phone 2” is not without its shortcomings. The screenplay occasionally falters, with clunky dialogue and heavy-handed exposition that detracts from the overall experience. The film grapples with themes of faith and morality, affirming the existence of Heaven and Hell, yet it struggles to maintain a consistent approach to these ideas. This inconsistency raises questions about the film’s stance on organized religion, particularly when it seems to abandon a more nuanced critique in favor of conventional horror tropes.

Derrickson’s direction, however, shines through in moments of creative gore and tension. A standout scene features Gwen confronting the spirits of three boys murdered on the campgrounds in 1957, showcasing inventive special effects that elevate the horror experience. The film also pays homage to classic horror techniques, such as spinning bodies and disorienting visuals, reminiscent of the iconic sequences in “A Nightmare on Elm Street.”

A Familiar Yet Enjoyable Experience

One of the criticisms often leveled at contemporary horror films is their reliance on familiar tropes and references. “The Black Phone 2” is no exception, as it draws heavily from its predecessors and iconic titles from the genre’s history. While these elements may feel recycled, they also serve to create a sense of comfort for horror fans who appreciate the nods to beloved classics.

Ultimately, “The Black Phone 2” offers a blend of nostalgia and terror, appealing to both fans of the original film and newcomers to the franchise. While it may not break new ground in the horror genre, it successfully delivers a chilling experience that keeps audiences on the edge of their seats.

Conclusion

“The Black Phone 2” premiered at Fantastic Fest 2025 and is set for a theatrical release on October 17, 2025. With its unique visual style, engaging performances, and a blend of nostalgia and terror, the film promises to be a noteworthy addition to the horror landscape. As Derrickson continues to explore the unsettling realms of the supernatural, audiences can expect a haunting journey that lingers long after the credits roll.