“V/H/S/Halloween“: A Mixed Bag of Frights and Folklore

As Halloween approaches, the horror genre gears up for its annual celebration, and the “V/H/S” franchise is no exception. The latest installment, “V/H/S/Halloween,” attempts to blend the festive spirit of the holiday with the series’ signature found-footage style. However, the film struggles to recapture the chilling essence that made its predecessors memorable.

A Franchise in Flux

The “V/H/S” series has become a staple in the horror community since its inception in 2012. The first two films were lauded for their innovative storytelling and genuine scares, effectively utilizing the found-footage format to create a sense of authenticity. However, as the franchise has evolved, it has increasingly leaned into a more commercial and less menacing approach. “V/H/S/Halloween” is no exception, presenting a collection of shorts that often feel more like Halloween-themed novelties than true horror.

The film’s premise revolves around the idea of cursed decorations and bizarre candies, which, while fitting for the holiday, detracts from the franchise’s original intent. The anthology format, once a vehicle for unsettling narratives, now feels like a collection of disposable treats, lacking the depth and ambition that characterized earlier entries.

The Wraparound Story: A Nostalgic Yet Repetitive Setup

Directed by Bryan M. Ferguson, the wraparound segment introduces viewers to a beverage company testing a new cola, Diet Phantasma. Each can seemingly contains a demon, leading to grotesque consequences for the taste testers. While the concept is intriguing, the execution falls flat. The repetitive nature of the trials and the anti-consumerist punchline feel drawn out, ultimately failing to deliver a satisfying payoff.

Ferguson’s nostalgic approach, reminiscent of the “Satanic Panic” era, adds a layer of charm to the film. The visual style evokes a sense of warmth, grounding the narrative in a time when parents worried about tainted candy and strangers. However, this nostalgic lens cannot mask the film’s shortcomings.

Highlights and Lowlights of the Shorts

The anthology features several shorts that vary in quality and effectiveness. Anna Zlokovic’s “Coochie Coochie Coo” stands out as a strong opener, blending local Halloween folklore with a touch of humor. The story follows two teenage girls who, while dismissing the legend of “The Mommy,” find themselves in a terrifying situation. The short effectively balances silliness and horror, showcasing Zlokovic’s talent for creating unsettling imagery.

In contrast, “Kidprint,” directed by Alex Ross Perry, offers a more grounded and chilling narrative. Set in the early ’90s, the segment explores the National Center for Missing and Exploited Children’s Kidprint program, which allowed parents to record their children for identification purposes. The premise taps into real fears surrounding child abduction, making it one of the most unsettling segments in the film. Perry’s ability to blend humor with genuine terror brings a refreshing depth to the anthology.

Other shorts, such as “Fun Size” by Casper Kelly, lean heavily into absurdity. The story revolves around a group of friends who ignore a candy bowl’s instructions, leading to bizarre and grotesque consequences. While the humor is entertaining, it often overshadows the horror elements, leaving viewers with a sense of disconnection from the franchise’s roots.

Thematic Underpinnings: A Reflection of Societal Fears

“V/H/S/Halloween” attempts to explore deeper themes, such as consumerism and the anxieties of modern parenting. The film’s reliance on holiday goofiness as a gateway to terror reflects a broader cultural commentary on the commercialization of Halloween. The shorts often serve as cautionary tales, warning against the dangers of indulgence and the consequences of ignoring societal norms.

However, the film’s execution often falls short of delivering a cohesive message. The anthology format, while allowing for diverse storytelling, can lead to a disjointed viewing experience. The tonal shifts between humor and horror can be jarring, leaving audiences unsure of how to engage with the material.

Conclusion: A Halloween Treat or Trick?

“V/H/S/Halloween” ultimately presents a mixed bag of frights and folklore. While some segments shine with creativity and genuine scares, others feel like hollow attempts to capitalize on the Halloween spirit. The film’s nostalgic elements and thematic explorations offer glimpses of potential, but they are often overshadowed by a lack of cohesion and depth.

As the “V/H/S” franchise continues to evolve, it remains to be seen whether future installments can recapture the magic that made the series a beloved staple in the horror genre. For now, “V/H/S/Halloween” serves as a reminder that not every Halloween treat is worth savoring. The film will be available for streaming on Shudder starting October 3, inviting viewers to decide for themselves whether it’s a trick or a treat.