A24’s “Friendship” Emerges as a Surprising Hit: A Deep Dive into Its Unique Comedy
A24’s latest film, “Friendship,” has unexpectedly captured the attention of audiences and critics alike, marking a significant achievement for the studio known for its distinctive storytelling. The film, featuring Tim Robinson, has not only garnered a devoted following but has also become a standout in the streaming landscape, recently topping HBO Max’s ratings upon its debut. This success is particularly noteworthy given the film’s dark, anxiety-inducing humor, which diverges from traditional comedic narratives.
The Unexpected Success of “Friendship”
Writer and director Andrew DeYoung recently shared insights about the film during an appearance on the Filmmaker Toolkit Podcast. He expressed surprise at the laughter it elicited during its initial festival screenings, particularly at the Toronto International Film Festival (TIFF). “When I saw it at TIFF, I didn’t realize I made this kind of movie,” DeYoung remarked, humorously questioning whether he had inadvertently created a sequel to “Borat.”
The film’s reception can be attributed to its unique blend of humor and emotional depth, a combination that resonates with audiences seeking more than just surface-level comedy. DeYoung acknowledges the influence of Robinson’s dedicated fanbase and the enthusiastic crowds at festivals like SXSW and TIFF, which have played a crucial role in the film’s success.
A New Approach to Comedy
DeYoung’s perspective on comedy is shaped by his preference for narratives that delve into uncomfortable truths. He cites a lack of authenticity in many mainstream comedies, stating, “I’m not a huge fan of most comedy movies because I think it lacks something real underneath.” Instead, he draws inspiration from films that tackle deeper emotional themes, such as Martin Scorsese’s “The King of Comedy” and the works of Swedish director Ruben Östlund, known for films like “Triangle of Sadness” and “Force Majeure.” These films, according to DeYoung, resonate more profoundly because they intertwine humor with genuine emotional stakes.
In “Friendship,” DeYoung explores themes of loneliness and community, echoing the sentiments expressed by political scientist Robert D. Putnam in his influential 2000 book, “Bowling Alone: The Collapse and Revival of American Community.” DeYoung explains, “He was pointing at the complete lack of community in [modern] American life that I think we all feel.” This exploration of communal voids is central to the film’s narrative, which follows Craig Waterman, played by Robinson, as he grapples with the abrupt end of his friendship with Austin, portrayed by Paul Rudd.
The Narrative Arc of “Friendship”
The film’s plot centers on Craig, who experiences a whirlwind of social engagement after befriending Austin. Their friendship introduces Craig to a vibrant social life filled with outdoor adventures and camaraderie. However, when Austin suddenly withdraws, Craig’s desperation to reclaim what he has lost leads him down a dark path, resulting in the loss of his job, family, and ultimately, his freedom. This descent into chaos is not typical of a standard American comedy, but it reflects DeYoung’s vision of what comedy can and should be.
DeYoung’s approach to storytelling is influenced by his teenage experience watching Chris Smith’s documentary “American Movie,” which chronicles a filmmaker’s struggles to complete a low-budget horror film. He describes it as a model for comedy, emphasizing the desperation and authenticity of its subjects. “I know it’s a doc, but to me [‘American Movie’] is what comedy should be, because it’s desperate people trying their damnedest to make something of themselves,” he explains.
The Visual and Emotional Landscape
The film’s cinematography, crafted by Andy Rydzewski, plays a pivotal role in conveying the emotional weight of Craig’s journey. As the narrative progresses, the visual tone shifts to reflect Craig’s increasing despair, incorporating elements reminiscent of the horror genre. DeYoung notes, “As soon as [Craig and Austin’s] breakup happens, [the film] starts to enter that [darkness] because it’s that anxiety of losing somebody.”
This blending of comedy and horror is a deliberate choice, allowing the film to explore the tension between laughter and discomfort. DeYoung articulates this duality, stating, “It’s those two feelings at the same time [that] is really rewarding to me.” This narrative complexity is reminiscent of the works of Paul Thomas Anderson, whose films often evoke a range of emotions simultaneously. DeYoung admires Anderson’s ability to challenge audience expectations, allowing viewers to navigate a spectrum of feelings.
The Broader Implications of “Friendship”
“Friendship” serves as a commentary on contemporary social dynamics, particularly the challenges of forming and maintaining connections in an increasingly isolated world. DeYoung’s exploration of these themes resonates with audiences who may feel the weight of loneliness in their own lives. The film’s success highlights a growing appetite for narratives that address the complexities of human relationships, particularly in a society where traditional forms of community are eroding.
As “Friendship” continues to gain traction, it stands as a testament to the power of innovative storytelling in the film industry. By pushing the boundaries of what comedy can encompass, DeYoung has crafted a narrative that not only entertains but also provokes thought and reflection.
Conclusion
In a landscape saturated with conventional comedies, “Friendship” emerges as a refreshing and thought-provoking entry that challenges the norms of the genre. Through its exploration of loneliness, community, and the darker aspects of human relationships, the film resonates with audiences on multiple levels. As it continues to find success both in theaters and on streaming platforms, “Friendship” exemplifies the potential for cinema to engage with complex emotional truths while still delivering moments of laughter. A24’s latest offering is not just a film; it is a reflection of the human experience, inviting viewers to confront their own connections and the voids that may exist within them.
