John Lithgow Returns to Broadway in Provocative Roald Dahl Play “Giant”
A New Chapter for a Beloved Author
In a significant return to the Broadway stage, two-time Tony Award-winner John Lithgow is set to star in “Giant,” a play that delves into the complex legacy of Roald Dahl, the renowned author of children’s classics such as “Charlie and the Chocolate Factory” and “Matilda.” This production, which opens on March 11, 2024, promises to challenge audiences’ perceptions of Dahl, particularly in light of recent discussions surrounding antisemitism and the implications of cancel culture.
The Play’s Premise
“Giant,” penned by director-turned-playwright Mark Rosenblatt, is set during a pivotal afternoon in the summer of 1983 at the Dahl family home. The narrative unfolds on the eve of the publication of Dahl’s controversial book “The Witches.” As the story progresses, Dahl faces backlash for his antisemitic remarks, forcing him to confront a moral dilemma: should he issue a public apology or risk tarnishing his reputation? The play features Jewish representatives from both his British and American publishers, who arrive to navigate this fraught situation.
Lithgow, reflecting on the play’s impact, stated, “You go back and read his writing after seeing the play and you see dark strains in it, which you knew were there. But you suddenly see it in a different light when you see this play.” This sentiment underscores the play’s aim to provoke thought rather than dictate opinions.
Contextualizing Dahl’s Legacy
Roald Dahl’s legacy is a complex tapestry woven with both whimsical storytelling and troubling personal views. While his works have enchanted generations of children, it is only in recent years that his antisemitic comments have come to the forefront of public discourse. Lithgow noted, “He was a loved writer for very good reasons, and it was really only after his death that so much of this information about his antisemitism came into focus.” This revelation raises questions about the intersection of an artist’s personal beliefs and their creative output.
The play arrives at a time when discussions about antisemitism are particularly relevant, especially in light of the ongoing conflict in Gaza. The themes explored in “Giant” resonate with contemporary debates about the role of politics in children’s literature and the broader implications of cancel culture. Rosenblatt emphasized that the play does not seek to provide answers but rather invites audiences to engage in critical thinking about these complex issues.
Critical Acclaim and Awards
“Giant” has already garnered significant acclaim, winning the Olivier Award for Best New Play earlier this year in London. Lithgow’s performance earned him his first Olivier, further solidifying his status as a versatile and compelling actor. The play premiered at the Royal Court Theatre before transferring to the West End, where it received rave reviews. Variety described it as “a powerhouse play whose time has most definitely come,” while The Times praised it as “one of the most thought-provoking pieces in the next decade.”
Lithgow’s Multifaceted Career
John Lithgow’s return to the stage is particularly noteworthy given his extensive career in both theater and film. Known for his roles in “The Crown” and “3rd Rock from the Sun,” Lithgow has also made significant contributions to children’s literature, authoring several books and writing songs for young audiences. His dual involvement in “Giant” and the upcoming HBO series adaptation of “Harry Potter,” where he will portray Albus Dumbledore, highlights his unique position in the realm of children’s storytelling.
“It’s kind of extraordinary that I’ve ended up playing these two characters at such a moment concurrently,” Lithgow remarked. “So here I am doing a variation on a theme.” This duality reflects the ongoing conversation about the responsibilities of storytellers in addressing complex themes, particularly when their works are aimed at younger audiences.
The Broader Implications of “Giant”
As “Giant” prepares to make its Broadway debut, it stands as a testament to the evolving landscape of theater and literature. The play challenges audiences to grapple with the duality of Dahl’s legacy-celebrated for his imaginative storytelling yet criticized for his personal beliefs. This exploration is particularly timely, as society continues to navigate the complexities of cultural representation and accountability.
Rosenblatt’s intention to create a nuanced portrayal of Dahl invites audiences to hold “two truths in their heads at the same time.” This approach encourages a deeper understanding of the multifaceted nature of human beings, particularly those who have left an indelible mark on culture.
Conclusion
John Lithgow’s return to Broadway in “Giant” promises to be a thought-provoking exploration of Roald Dahl’s legacy, set against the backdrop of contemporary societal issues. As audiences prepare to engage with this complex narrative, the play serves as a reminder of the power of storytelling to illuminate both the light and dark aspects of human experience. With its critical acclaim and timely themes, “Giant” is poised to spark meaningful conversations about the intersection of art, morality, and the legacies we choose to celebrate.
