Paul Schrader’s “Mishima: A Life in Four Chapters” Set for Japan Premiere After Decades of Controversy
Update: October 1, 2025
In a significant cultural moment, Paul Schrader’s acclaimed film “Mishima: A Life in Four Chapters” will finally make its Japanese premiere at the 2025 Tokyo International Film Festival. This long-awaited screening, part of a special program celebrating the 100th birthday of the controversial Japanese author Yukio Mishima, marks a notable shift in the film’s reception in its home country. The festival is scheduled to run from October 27 to November 5, 2025.
A Film Shrouded in Controversy
Originally released in 1985, “Mishima” has garnered critical acclaim over the years, often cited as one of the defining films of the 1980s. It explores the life and work of Yukio Mishima, a complex figure known for his literary genius and extreme nationalist views. Despite its artistic merit, the film has never been screened in Japan, primarily due to the contentious nature of Mishima’s legacy and the political climate surrounding his life and death.
Mishima, who committed seppuku in 1970 after a failed coup attempt, was a polarizing figure. His right-wing ideology and belief that Japan had strayed from its traditional values post-World War II made him a hero to some and a villain to others. Schrader’s portrayal of Mishima was met with resistance from conservative factions in Japan, leading to an unwritten agreement that effectively barred the film from being shown domestically.
The Road to the Premiere
In a recent interview, Schrader revealed that the Tokyo International Film Festival had expressed interest in screening “Mishima” as early as 2024. However, the complexities of Japanese cultural politics made the process challenging. Schrader noted that while there are no legal restrictions preventing the film’s screening, the festival must navigate the sensitivities surrounding Mishima’s family, particularly his two children, who have the power to object to the film’s showing.
“The negotiations are ongoing,” Schrader explained. “It’s tricky because they need to ascertain whether Mishima’s children will object. It’s not about stopping the film outright, but they need to ensure there won’t be any backlash.”
Historical Context and Cultural Significance
To understand the significance of this premiere, one must delve into the historical context of Mishima’s life and the film’s production. Mishima was not only a celebrated author but also a fervent nationalist who believed in the sanctity of the Japanese Emperor. His dramatic life, filled with contradictions, has fascinated scholars and filmmakers alike. Schrader’s film, which interweaves Mishima’s literary works with his tumultuous life, offers a unique lens through which to view this enigmatic figure.
The film’s production was fraught with challenges, including threats from right-wing groups that sought to halt its progress. Schrader himself faced considerable pressure, even wearing a bulletproof vest during filming due to safety concerns. The film’s co-producer, Toho, reportedly made an unwritten agreement with conservative factions to ensure that “Mishima” would not be shown in Japan, a decision that has haunted the film’s legacy for decades.
Changing Perspectives
Nearly 40 years after its initial release, the political landscape in Japan has shifted. As Schrader noted, Mishima is now viewed as “old history,” and the fervor surrounding his ideology has diminished. This change in perception may have contributed to the festival’s decision to finally showcase the film.
The Tokyo International Film Festival’s inclusion of “Mishima” in its lineup is not just a victory for Schrader but also a reflection of Japan’s evolving cultural landscape. The festival aims to celebrate Mishima’s literary contributions while also acknowledging the complexities of his life and beliefs.
Schrader’s Future Projects
As Schrader prepares for the premiere, he is also focused on his upcoming film, “Oh, Canada,” which has recently been acquired by Kino Lorber. The 78-year-old filmmaker, who has faced health challenges in recent years, humorously referred to “Oh, Canada” as his “post-dying film.” However, he has since announced plans for another project titled “Non Compos Mentis,” which explores themes of madness and sexuality.
“I have the money for it, and we want to start shooting right around Thanksgiving,” Schrader said, indicating that he remains committed to his craft despite his age.
Conclusion
The upcoming premiere of “Mishima: A Life in Four Chapters” at the Tokyo International Film Festival represents a significant cultural milestone. It not only highlights the enduring relevance of Yukio Mishima’s life and work but also underscores the complexities of artistic expression in a politically charged environment. As audiences prepare to engage with this long-suppressed film, it serves as a reminder of the power of cinema to provoke thought and inspire dialogue, even decades after its creation.
